The videos can be watched here or downloaded from Dropbox at https://www.dropbox.com/sh/50yph9xcnk5xl4t/AAAAv7E2A2ZQAE8Uo7w7_Jkha?dl=0
For the videos in 3D you can wear Anaglyph 3d cyan/red sereoscopic glasses if you have them. Please put the red lens over the left eye. You can still view the videos without glasses in 2D.
01: Sad Story from Tangos Cubanos
(metaphor/shoulders/recognisable transition/self-manipulating transition/three part structure/asymmetry/facilitating transition/rhythmic pattern/dancer’s gaze/reset transition/morse pattern)
03: St. Valentine’s Day from Tangos Cubanos
(pedestrian movement/manipulation at a distance/manipulator manipulated /rhyming pattern/recognisable transition/morse pattern/deviation)
07: Finger from Tangos Cubanos
(complex metre/visual metaphor/unison flipping/placement/pedestrian movement/left right/jerk transitions/locked hand position/flock)
Danza Contemporanea dancers 2016
Art of Movement
(recitative-aria/stereoscopic live/text/lecture/visual design/dance related texts/comedy)
08: Dead Body Part from Art of Movement 3D
(notation/restriction/shoulder/dialogue/score/musical dominance/dancer’s gaze/mirror unison)
Kazuko Hohki
Kaori Ito and Jacqueline Mitchell
09: Magnetic Touch from Art of Movement 3D
(developed transition/manipulation at a distance/manipulator manipulated/echo transitions)
Kazuko Hohki
Yumiko Minami and Tomohiko Kyougoku
10: Action at a Distance from Art of Movement (3D intro only)
(echo transitions/manipulation at distance/pattern transfer/visual design/facilitating transitions)
Kazuko Hohki
Kaori Ito and Jacqueline Mitchell
Edge of Nowhere
(recitative aria/costume)
11: Rice Cakes from Edge of Nowhere
(three-part form/visual metaphor - key position/complex metre/rhythmic footwork)
Rajyashree Ramamurthi
12: River from Edge of Nowhere
(phrase pattern/symmetry/visual metaphor key position/defined space/ornamental transition/simultaneous transition/recognisable transition)
Rajyashree Ramamurthi
Danzas de Amor que se Fue (DDAQSF)
(interview/visual art/distraction)
13: El Agua de los Mares from DDAQSF
(unison/separated transition/recitative aria/cyclical pattern/reset transition/rhythmic pattern/dancer’s gaze/jerk transition)
15: Narciso from DDAQSF
(unison/complex metre/multiple transitions/phrase pattern/foot movement/placement/accent by speed/accent by direction/body echo/semicircle)
Danza Contemporanea dancers 2019
16: Noche de Quatro Lunas. From DDAQSF
(pedestrian movement/disguised transition/left right movement/re-invention/hinge transition/travelling/double transition/looped key position)
Sebastiano Geronimo, Giacomo Goina, Luciano Ariel Lanza and Daniele Podda
25: Bacio from ATIMDB 3D
(size/limitation/box/visual metaphor/spatial marker)
Flora Orciari
Shakespeare Needs You
(film interaction/text/visual design)
26: The Isle is Full of Noises from Shakespeare Needs You
(visual metaphor/bartok acceleration/unconscious transition/self-manipulating transition/hand)
Ruri Han
27: Full Fathom Five from Shakespeare Needs You
(music cue/durational rhythm/wallpaper music)
Ruri Han and Myung Hoon Park
28: Bighead Asleep from Shakespeare Needs You
(text/lip-syncing/film in performance/sympathetic transition/comedy)
Kim C, Ruri Han and Myung Hoon Park
La Tragedia di Eponima
(narrator/character costume)
33: Cigarillo from Solos Extremos
(simultaneous transition/pedestrian movement/flip/asymmetric oscillation/ostinato pattern/accent by length/accent by loudness).
Luciana Croatto
34: Dann Geht Sie Einkaufen from Solos Extremos
(laban/pedestrian movement/stylise by deviation/left-right movement)
36: Hasta la Luz from Solos Extremos – De lo Alto
(knotted key position/outline transition/thematic structure/loop key position/self-manipulating transitions/left right movement)
Luciana Croatto
37: Beso from Solos Extremos
(visual metaphor/lip-sync/text rhythm/re-invention/jerk transitions)
Luciana Croatto
38: De lo Alto de Altos Edificios from Solos Extremos
(visual metaphor/self-manipulating transition/ornamental transition)
Luciana Croatto
39: In the Flesh 3D
(restrictions/same space stereoscopy/dancer’s gaze/audience interaction/installation)
Sara Popowa
40: Tango de Soledad 3D and 2D
(flipping/voice-over/film/text rhythm/self-manipulation/asymmetrical arc form/wall/costume/ accent by difference/defined space/social dance/text rhythm/same space stereoscopy/morse pattern/rhythmic pattern)
Amy Hollingsworth
Amy Hollingsworth
41: T’es Pas la Seule 3D
(unison/close canon/geometry/impossible move/shoulder/pedestrian movement/same space stereoscopy/installation/unconscious transition/invisible string/spatial location/left right movement)
Mariana Di Silverio
42: Jenseits 3D
(spatial marker/visual metaphor/hinge transition/visual design/vertical symmetry/counterpoint/same space stereoscopy)
Oxana Panchenko
Ghosts in the Machine
(installation/same space stereoscopy)
43: Cheerio from Ghosts in the Machine 3D
(stepped transition/fuzzy unison/character/recognisable key positions/symmetrical key position/stream of thought)
Jennifer Potter, Rachel Blackman and Victoria Melody
44: Retratos Número 2
(visual design/face/film/close-up/fixed camera/installation/wallpaper music)
Gabriela Alcofra
45: Tango Brasileiro
(film/pedestrian movement/voice-over/creative music independence/visual design/recitativearia/social dance/expressive face/dancer’s gaze)
Gabriela Alcofra
46: Tangos Cubanos (complete)
Danza Contemporanea dancers 2016
47: Tangos Cubanos (documentary)
Danza Contemporanea dancers 2016
Paulo Grassi dancers - Luciano Ariel Lanza, Sebastiano Geronimo, Daniele Podda, Loredana Tarnovschi, Chiara Aru, Sabrina Fraternali, Sebastiano Geronimo, Giacomo Goina, Luciano Ariel Lanza, Luana Rossin, Francesca Siracusa, Cecilia Maria Tragni, Erica Meucci and Flora Orciari
Danza Contemporanea dancers 2016 - Gabriela Burdsall, Javier Aguilera, Julio J. León, Jennifer Tejeda, Jenny Nocedo, Laura Ríos, Luís E. Carricaburu, Mario S. Elías, Marta Ortega, Norge Cedeño, Raúl Reinoso, Thais Suárez, Yasser Domínguez, Yanelis Godoy, Claudia Hilda Rodriguez, Penélope Morejón, Arelys Hernandez, Andres ascanio, Carlos Blanco and Niobel Gonzalez
All choreography Billy Cowie (except Retratos Number 2 and Tango Brasileiro - Billy Cowie and Gabriela Alcofra)
All music Billy Cowie
All visual art Silke Mansholt
This work has been supported by: The British Council, University of Brighton, La Civica Scuola di Teatro Paolo Grassi, Kyoto Experiment, Museum of Art Kochi.